On November 10, 1981 Motley Crue introduced themselves to the 80’s rock scene with an explosive debut, Too Fast For Love, laying the foundation for what a band needed to sound like in order to get signed during the rise of LA glam metal. This album struck listeners right off the bat with its raw hard rock tone and energetic party charisma portrayed in each track.
Vince Neil’s sleazy and echoed vocals are such a distinctive element, perfect for catchy hooks. His voice could work around any cheesy lyrics and turn it into an immaculate chorus. Mick Mars and Nikki Sixx are a destructive duo capable of tackling any melody under the sun no matter the speed or groove. Tommy Lee is yet another key member that is intentionally amplified throughout the album as a satisfying mix to the band’s chemistry.
Wasting no time with the opening number, Live Wire grabs you with its fierce riff and takes you through a tireless melody of heavy metal intensity. Too Fast For Love is riddled with satisfying hooks from tunes like Come On And Dance, Starry Eyes and even Merry-Go-Round. Although some may claim it’s repetitive, I would argue that with Mars’s riff growling behind Neil’s singing, it makes for a great bridge to the killer solo.
The only negative traits this album has are some forgivable mistakes often expected in bands trying to establish themselves. The title track sounds a bit like a fluff track, but it still doesn’t resist the urge to hold your fist to the air and chant the chorus. The closing tune, On With The Show is a decent closer, however it comes off as too pop after just listening to 28 solid minutes of scorching hard rock.
Piece Of Your Action is one of the most note worthy songs on the album with its smooth chorus, delivering straight into Mars’s phenomenal solo, complimented by Lee’s thunderous drumming and Neil’s glass shattering scream.
Ultimately, Too Fast For Love was a giant first step in the band’s career, influencing countless bands after them from those playing at The Starwood to those headling in world-class stadiums. No one gigged on the streets of Los Angeles, dressed up, and played their instruments to pieces in the 1980’s without taking a few pointers from the Crue.
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